Some horror novels creep up on you- those slow burns- and some are just straight up hardcore slashers where you rush towards the end. But every once in a while, you come across a work that scares you because it hits too close to home, because you feel it deep in your bones. The kind of book that you are still thinking about days, weeks, months later- the kind that has you turning on lights, your heart beating a little too fast. That is what The Only Good Indians was for me, and I can’t stop thinking about it.
This is the story of the past haunting four Indian friends, and not in a metaphorical way. When they were young, these four cocky Blackfeet indians went on a hunt on forbidden elder tribal land, and what happened there has followed them into adulthood. They are coming up on the ten year anniversary of the hunt, and one of them has already died. Will any of the others survive the revenge that is coming to them? And what exactly does it mean to be a “good Indian?”
This story is raw and bloody and heart-wrenching in all the best ways. I love horror that draws from folklore and traditional stories, and this is one of the best that I have read. Graham-Jones draws from his own tribal background, and the horrifying stories of other tribes to create a heart-rending modern folk tale.
I give this book a HUGE 5 Stars, and highly recommend that you mark your calendars for its release on May 19th.! I will be putting up a more thorough & spoilery review at that time.
Many thanks to NetGalley and Simon & Schuster for the advanced copy!
A hybrid: That most obscure of academic beasts. What you call something when you just don’t know what you’re doing anymore.”
Mona Awad’s Bunny is so this! I am not sure if I should call it horror, or comedy, or dark comedy, or just plain weird literary insanity…
Set at an elite New England grad school, Bunny zeroes in on the Lit department, where the poets are losers, and the very richest and most beautiful of creative writers are a part of a clique known as the Bunnies. The Bunnies call each other Bunny, and are each beautiful and sickeningly sweet as cupcakes- as a matter of fact, they mostly look and smell like cupcakes, too. You might see a bit of Heathers or Plastics in these ladies.
But one of the members of their writing group is emphatically NOT a Bunny- Samantha Heather Mackey, or Smackie, as her friend Ava calls her. Ava “would never eat a lavender cupcake that tasted like perfume or wear a perfume that made her smell like a cupcake. She would never wear lip balm for cosmetic purposes. She would never wear it unless her lips were seriously, seriously chapped.” Samantha is a scholarship student, and she and Ava find the Bunnies group hugs and fake voices detestable.
That is, until the day they invite her to one of their Smut Salons. Where they make her special drinks and recite weirdly erotic passages. And then ask her to bring them a bunny. A real one. All of a sudden, Samantha is seeing rabbits everywhere. Are they talking to her?
The Bunnies invite Samantha to one of their own private “Workshops,” which Samantha thinks will be about writing. They do end up creating, but it is definitely not literature. They are creating their own hybrids, their own darlings. And you know….sometimes you have to kill your darlings.
The deeper Samantha gets into the world of the Bunnies, the more the edges of reality begin to blur- is she drugged? Are these things even happening?
This book is simply genius! Even if you have never taken part in a creative writing class, Awad drowns you in the process- exposing the very depths of creation and the gut-wrenching birthing process that writers go through to bring forth a finished work. I was more than amused to discover that she and I went to the same private grad school in Denver! While we didn’t exactly have a cave to work in, I know how close-knit English departments can be. And how lonely school can be in a new place where you don’t know anyone. This book is about all of that: friendships, loneliness, creation, the agency of womanhood, and most of all: cute lil bunnies!
There aren’t enough stars to give to this, so of course I’m giving it all 5! It was dark & delicious, and oh so funny- I was literally laughing out loud so often my friends were questioning my sanity. But then again, so was I.
“Resolve was a fickle beast. Vengeance was a capricious lover. Anger was a planet covered in water that simultaneously obeyed the pull of too many whimsical moons. Pain was an unstable variable in a secret equation written in a language that never existed. Confidence was a fragile thing dangling over a sea of crushing teeth by a thread of shadow tied to a beam of hope.”
I am not sure what I can add to all the amazing reviews out there of this exquisitely original book, but I will try to put my thoughts into words. After I finished, I took a few days to think about it before writing this, mostly to think about what I had read.
This is a truly beautiful and mournful book. Above you get just a taste of the amazing lyricism of Iglesias’s writing, but if you are looking for a beam of hope, my friends, you should probably look elsewhere. Because here is the realm of Santa Muerte. La frontera- the frontier- the border. And it is just as horrifying as you think it is.
Iglesias writes in what many others are calling a “mosaic” style, by writing individual stories and weaving them together into one big picture. Some of the people in these stories don’t even have names; we have no names for the coyote or the mother or la bruja (the witch.) Even though the other three have names- Pedrito, Jamie, & Alma- I’m not sure that it matters, because they could be anyone in this godforsaken land.
Each piece of this mosiac gives the reader a glimpse into the horrors that lie in wait around the border: a young boy whose father was killed by militia, a coyote who strives to bring children over, the ghost of a woman who died while trying to cross over, a young mixed race performance artist who wants to make a statement. Every story is filled with blood & fear. The opening story made me gasp aloud.I felt some kind of connection with every single character in the book, but most of all with La Bruja, the witch. I felt like her chapters float through the book, intertwining the others. And her language is the most lyrical of all; the quote above is from her.
I applaud Iglesias for writing a story so current, so raw. He weaves together not only the individual stories, but also multiple genres. He calls it a “barrio noir,” but I felt as if I was reading a mix of horror and magical realism, with the grit of the noir as well. And all of this expertly done.
I can only give one small criticism, and it is primarily a criticism of myself. I wish I knew more Spanish. I live in Colorado and it would be WAY more useful than the freaking French I took so many years of. Anyways, this book switches from Spanish to English frequently and very smoothly. Often, I either understood, or just got enough from context and my limited Spanish to just keep reading. But there were many times I had to stop and translate, and that made what should have been a very quick read significantly longer. But I am not saying at all that it would be better if the Spanish wasn’t there, because I don’t think it would be. It just hindered my own personal experience. Due to this, I give it 4 Stars, because even with that distraction, it was just amazing!
“In its purest form, done right, watching an experimental film is the closest you can come to dreaming another person’s dreams. Which is why to watch one is, essentially, to invite another person into your head, hoping you emerge haunted.”
What I loved most about this novel is the visual descriptions. Because this is a book about film, Files has to make the reader see the story. She does an absolutely brilliant job at this; I could feel the brightness, my eyes tearing up, the glare off the screen.
It’s been compared often to House of Leaves and Night Film, and I think those comparisons, in some ways, are apt. They are all “found footage” books, describing uncovered films. The act of describing a movie puts the reader at a certain distance that the author must bridge with language. Like we are at another remove from the subject of the book by our very inability to actually see it. The author must be our eyes.
In order to do that, the author must be a stellar storyteller, and Files is certainly that, “we’re storytelling creatures. Give us a bunch of seemingly random images and we will try to organize them into a linear progression.” That’s what this book is about- trying to find the story behind some random images found in an experimental film.
We follow film critic Lois Cairns as she digs into the history of a woman who is possibly Canada’s first female filmmaker- Iris Dunlopp Whitcomb. The subjects of Mrs. Whitcomb’s very experimental films are always the same, the noon witch of Slavic mythology Lady Midday. The myth of Lady Midday itself is one I’ve never heard before, and it’s always a joy for me to learn a new mythology, especially one that can inspire such horror. See, Lady Midday appears at the very moment of noon, “between the minute and the hour,” to tired field workers, asking them questions or distracting them. If they answer wrong….they lose their head to her scythe! She also causes physical distress; she is essentially the personification of heatstroke.
As Cairns begins to learn more about Mrs. Whitcomb, the readers learn more about both of their lives. I read some reviews that were critical of the portions of the book devoted to Cairns’ personal life and relationship with her family, but I found them extremely important, both as character study and as a way to link her to Mrs. Whitcomb. Their lives parallel each other in more and more obvious ways as the novel progresses. They both had sons on the spectrum (of course, Whitcomb wouldn’t have known such a term that long ago), husbands that seem almost ineffectual, and most of all, they both spent time in the presence of Lady Midday.
And that is where it all goes wrong. The Noontime Witch takes over everything in Lois’s life and she becomes obsessed. Her goal is to make a film about it, of course, and she gets some funding for it. An old colleague is also following Lois’s story, putting obstacles in her way at every turn. Lois becomes increasingly more physically ill until she reaches a breaking point.
How many people will she drag into the light with her?
This book is amazing! The characters are all intricately drawn, even the ones from a century ago, and the story moves at a quick pace even with all the detail. And, most of all, it was scary! Not like gore & killers scary, but real disturbing down in your stomach scary. Like the next time I had a migraine, I immediately thought about Lady Midday kind of scary.